Jeremy Hush

"Droning Glow" 2011

"Nettled" 2011

"The sigh" 2011

"Vexed" 2011

"Wisdom and Faulty Design" 2010

Jeremy Hush is a fairly young artist with one of those names so apropos that we can only hope it's real. He creates small exquisite illustrations in ball point pen and watercolor. I know of only one other artist using ball point pen (Caitlin Hackett whose work is not completely dissimilar). It's an unlikely medium that I myself prefer for sketching. Anyway, his delicate images capture a certain mood, a sort of wounded fantasy world in which life itself seems to be unraveling and unwinding, bound to cease it's awkward motions at any moment. It has more than a hint of the Goth aesthetic, but in it's more subtle and nuanced forms, harking back to the detailed and sometimes dark children's illustrators of the 19th century illustration. The delicacy and sensitivity of the work makes an interesting and ironic contrast to the personal snapshots on his flickr page where we can witness the artist's love for heavy metal music, automatic weapons and trespassing (In addition to the art of course). Keep keepin' it real Mr. Hush. And keep busy. I'll look forward to see what happens the next time your adventuring takes you inside.

You can also follow his progress on his blog: hushillustration.blogspot.com

Gabrielle Bakker

"May Morning II"  oil on linen  32" x 30"  2010

"Studio"  oil on panel  60" x 52.5"  2005

"Drunk Minotaur"  oil and 22k gold leaf on panel  27" x 27"  2011

"Geisha Icon"  oil and 22k gold leaf on panel  13.3" x 12"  2009

"Leda"  oil on linen  50" x 42"  2011

Gabrielle Bakker gathers in a mélange of historical styles and subject matters, each clearly and easily recognizable, but she manages to integrate and own them beautifully. There's some classical mythology and overt references to Picasso (an avid interpreter of greek myths himself) plus 18th and 19th century Japanese imagery, which had such tremendous influence upon the post-impressionists (and others). Her painting and composition have a beautifully crafted, almost sculpted feel that reminds me of the art deco painter Tamara de Lempicka. All of this collecting of historical references plays well into questions regarding their role in contemporary painting, and the validity of representation and traditional media. I think she makes a tremendous argument in favor of building upon the past, not merely breaking from it in search of the new, a tendency that has led to an almost maniacal fracturing in the arts over the last 60 years or so. Tradition and innovation are still viable partners as this talented artist aptly demonstrates.
Check out her website: www.gabriellebakker.com

And if you happen to be in the Seattle area this month you can see her work, a retrospective of the last decade at Davidson Galleries.


thanks to Michael McDevitt for the heads up

Theo Ellsworth

First Contact

Monster the Musical

Sea Monsters Love Boats

Fast Asleep on the Fish's Back

A Quiet Monster

I've been paying too much attention to painterly painter types lately so it's time to mix it up a little. Theo Ellsworth's work is grounded in the comics aesthetic. In fact he does comics, in addition to stand alone framed art pieces. He's probably better known for the comics work anyway, having a 15 page story selected by Neil Gaiman for the 2010 issue of Best American Comics. But hey, it's all art. What makes his work stand out is a little difficult to pin down. His drawing style seems to draw from a grab bag of traditional historic sources in addition to the more obvious modern ones. To my eye there are suggestions of Mayan, Aztec, Celtic and Old Norse imagery. All of this comes about intuitively of course and is not being overtly referenced. But it all comes together through Mr. Ellsworth's unique and humorous surrealism, replete with spacemen, monsters and other curious creations.
Check out his website: thoughtcloudfactory.com
Follow his blog: theoellsworth.blogspot.com
or browse through his Flickr page.

Carolyn Pyfrom

"Jenny By The Door"  34" x 36"  oil on linen 2006

"Maestro and Model"  66" x 30"  oil on linen  2010

"Plumb Line"  50" x 28"  oil on linen  2010

"Self With Peter"  30" x 24"  oil on linen  2008

"You Also Are Psyche"  40" x 40"  oil on linen  2008

Carolyn Pyfrom is an academically oriented painter, who well understands the lessons of drawing, composition and subtle value shifts in color to create luminous compelling canvases. Her occasional use of paintings within the painting suggests an ironic concession to the limitations of rendering three dimension in two. She is no photo realist playing tricks with illusion to wow the viewer. She simply uses the painting within the painting as a way divide up the surface and subjects of the painting in new and novel ways. At times it lends an interesting psychological distance to the figures, but the figures are ultimately secondary anyway. Composition is the central theme as she looks around the studio or room in which she's working for new ways to reorganize the lines and light that surround her.
You can see more work on here website at: www.carolynpyfrom.com