Tuesday, February 18, 2014

Deborah Simon

"Ursus Americanus" (Black Bear)
polymer clay, faux fur, linen, embroidery floss, acrylic paint, glass, wire and foam,
22”H x 25”D x 19”W, 2013
. Photo by Dan Wonderly

Black Bear - detail

"Ursus Arctos Horribilus"  (Grizzly Bear)
polymer clay, faux fur, linen, embroidery floss, acrylic paint, glass, wire and foam,
22”H x 25”D x 19”W, 2013. Photo by Dan Wonderly
"Ursus Maritimus" (Polar Bear)
polymer clay, faux fur, linen, embroidery floss, acrylic paint, glass, wire and foam,
22”H x 25”D x 19”W, 2012. Photo by Dan Wonderly
Coyote Puppets
30”L x 15”H x 6”W each, polymer clay, epoxy, fake fur, wire, glass eyes, and foam.

Deborah Simon's "Flayed Bears" series is just one aspect of an artist whose work ranges from sculpture and installation to performance and painting.  Inspired by evolutionary thinking and fascinated by western science's obsession with collecting, cataloging and labeling she creates extraordinary creatures as lifelike as she can make them, but always slightly off, or out of place, jarring us into that state of wonder that is the province of the arts. In the "flayed bears" series, the initial image is a slightly grotesque one, but closer inspection reveals that the anatomical structures are rendered in exquisite needlework. It is such an odd choice but it gives the work an intimate feel of handcrafted care so at odds with the cold objectifying nature of dissection and vivisection evoked by the imagery. Her coyote puppets (above) were part of a multi-media presentation called "Coyote Pursues" in which the two central characters explore "an austere world newly bereft of people". I would simply love to see video of these two in motion, but alas, that is not available on her website. Plenty of other images are however, so go take a look at www.deborahsimon.net

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