Monday, July 2, 2012

Esao Andrews

"The Stray" 24"x 24" oil on wood. 2011

"Polished & Powdered" 24"x 36" oil on wood. 2011

"Drifters" 36"x 48" oil on wood. 2010

"Meigh" 20"x 24" oil on wood. 2010

"The Haircut" 8"x 11" oil on wood. 2011
Esao andrews is among an enormous group of contemporary artists who intentionally blur the line between fine art and illustration. What I find refreshing about a lot of them, and Esao Andrews is no exception, is that they combine a real dedication to craftsmanship and skill with unfettered imagination and a whimsical visual inventiveness. His work is wide ranging and it would be difficult to pin down specific themes, but in general I see elements of childlike innocence and fantasy combining with a darker vein of psychedelia. Not every piece works, but why should it? That's what invention is all about. Trying new things. Looking through his portfolio, and that of others like him, you're reminded over and over again that the potential for representational image making is truly unlimited. We should all be glad that pioneers in the 20th century opened up the possibilities of abstraction, but declarations of the death of representation were not just premature, they were absurd. And representational artists like Esao Andrews use elements of abstraction to enhance the inventiveness of their own work.
You can see much much more on his website: esao.net

No comments:

Post a Comment